Johann Rosenmüller: Vespro della Beata Vergine

~ cpbaroque

(Cover painting by Sandro Botticelli)

1-1. Invitatorium Deus In Adjutorium (0:59)
1-2. Antienne: Dum Esset Rex – Dixit Dominus (18:31)
1-3. Mater Jerusalem (Mater Piisima) (7:08)
1-4. Antienne: Jam Hiems Transiit – Laudate Pueri (16:11)
1-5. Sonate En Ut (5:28)
1-6. Antienne: Hortus Conclusus – Laetatus Sum (15:07)
1-7. Ego Te Laudo (4:22)
2-1. Antienne: Quo Abiit Dilectus Tuus – Nisi Dominus (11:13)
2-2. Sonate En Ré (6:12)
2-3. Antienne: Favus Distilans Labia Tua – Lauda Jerusalem (15:53)
2-4. Regina Coeli Laetare (Cor Meum Laetare) (6:22)
2-5. Capitulum: Ab Initio Et Ante Saecula – Hymnus Ave Maris Stella (4:26)
2-6. Antienne Sancta Maria Succurre Miseris – Magnificat (18:44)

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Anders Aarum: The Lucky Strike (2000)

~ cpbaroque

Mats Eilertsen: double bass
Torstein Ellingsen: drums
Anders Aarum: piano, composition

1. Gutter Bell Strut (3:11)
2. The Dust Buster (3:20)
3. A Spare Waltz (5:14)
4. Sylvester (4:00)
5. March (3:39)
6. Second Line Turkey (4:47)
7. Split Decision (6:47)
8. Gonna Go Bowlin’ (4:29)
9. Winter Piece (5:02)
10. The Lucky Strike (4:39)
11. March (Reprise) (1:32)

Antoine Boesset et al.: Messe & Motets

~ cpbaroque

Bearing witness to a miraculously preserved and somewhat mysterious musical world, this precious recording reveals a repertory at once sober and refined, moving and poetic, which invites us to open the gates of those convents that, in the midseventeenth century, attracted from Paris and throughout the kingdom a public enthralled by their angelic voices, animated by a single deep and authentic faith which further increased the powerful appeal and the mystery of their singing.

The repertory for high voices by Boesset transmitted by the precious Deslauriers manuscript is also moving in its rarity, since it is the only surviving musical evidence of the religious output of one of the most influential French composers of the seventeenth century

 

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