



The State Chamber Orchestra “Kiev Soloists”
Bogodar Kotorovych, director

Paolo Fresu (trumpet & flugelhorn)
Attilio Zanchi (bass)
Roberto Cipelli (piano)
Tino Tracanna (sax soprano & tenor)
Ettore Fioravanti (drums)
1. T.R.E.A.P. (#1) 3:54
2. O.F.T. 20th 3:24
3. Some Other Place 6:33
4. Yara 4:39
5. Free Dance 5:06
6. Children`s Play Song 4:00
7. Night Talk 5:20
8. Apres Midi 2:41
9. Cromidim Walk 3:42
10. Reverie 6:08
11. T.R.E.A.P. (#2) 4:46
12. From Mingus To Duke 3:10
13. Arianna 3:35




Bass – Dan Berglund
Drums – Magnus Ostrom
Piano – Esbjorn Svensson
1. I Mean You – 6:47
2. Criss Cross – 5:48
3. ‘Round Midnight – 6:13
4. Bemsha Swing – 7:22
5. Rhythm-A-Ning – 4:03
6. In Walked Bud – 6:40
7. Little Rootie Tootie 4:04
8. Eronel – 4:59
9. Evidence – 5:05
10. Crepuscule With Nellie – 6:40

Emily Remler: guitar
Hank Jones: piano
bob Maize: bass
Jake Hanna: drums
1. Strollin’ (Horace Silver) 5:29
2. Look to the Sky (Antonio Carlos Jobim) 5:23
3. Perk’s Blues (Remler) 4:06
4. Firefly (Remler) 4:05
5. Movin’ Along (Wes Montgomery) 5:30
6. A Taste of Honey (Ric Marlow, Bobby Scott) 2:09
7. Inception (McCoy Tyner) 5:09
8. In a Sentimental Mood (Duke Ellington, Manny Curtis, Irving Mills) 7:48



Bass – Darryl Hall
Drums – Laurent Robin
Piano – Laurent de Wilde
1. The Present – 6:34
2. Move On – 9:49
3. Fleurette Africaine – 6:44
4. One For Ernie – 6:15
5. Quiet – Not Quiet – 6:44
6. The Club – 6:40
7. Up And Down – 5:05
8. Late Late Blues – 5:12
Stephen Michael Reich (born October 3, 1936) is an American composer who, along with La Monte Young, Terry Riley, and Philip Glass, pioneered minimal music in the mid to late 1960s.
Reich’s style of composition influenced many composers and groups. His innovations include using tape loops to create phasing patterns (for example, his early compositions It’s Gonna Rain and Come Out), and the use of simple, audible processes to explore musical concepts (for instance, Pendulum Music and Four Organs). These compositions, marked by their use of repetitive figures, slow harmonic rhythm and canons, have significantly influenced contemporary music, especially in the US. Reich’s work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains.
Writing in The Guardian, music critic Andrew Clements suggested that Reich is one of “a handful of living composers who can legitimately claim to have altered the direction of musical history”. The American composer and critic Kyle Gann has said that Reich “may … be considered, by general acclamation, America’s greatest living composer”.

Steve Nelson (vibraphone)
Mulgrew Miller (piano)
Peter Washington (bass)
Kenny Washington (drums)
1. New Beginnings – 6:04
2. Danielle’s Waltz – 6:38
3. Shape Shifting – 4:54
4. Someone To Light Up My Life – 7:49
5. The Song Is Ended – 7:55
6. Down Fuzz – 8:39
7. It’s Talk Of The Town – 9:31
8. How Little We Know – 7:39
9. Wild Is The Wind – 4:31

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Inaki Sandoval (piano)
Eddie Gomez (bass)
Billy Hart (drums)
01. Prelude #1 – 00:43
02. Miracielos – 05:47
03. Prelude #2 – 01:15
04. No Excuses – 06:20
05. Prelude #3 – 01:49
06. Ya no quiero mas na – 08:15
07. Prelude #4 – 01:57
08. Keep it Fresh – 04:21
09. Prelude #5 – 03:09
10. Mr. Frank Martin – 07:10
11. Prelude #6 – 00:23
12. Revolution is Coming – 05:08
13. Prelude #7 – 01:33
14. Eternitat – 07:49
15. Epilogue – 03:40

(Pills, leaves, collage, synthetic polymer paint and resin on wood panel)

